Madonna Mia!
Rome, 17th century. A city of splendour, devotion, and restless creativity. Enter Christina of Sweden: a queen without a kingdom, who trades her throne for a new realm—the arts. Her salons become a meeting place for poets, painters, and musicians; her influence shapes an entire generation.
At the same time, Rome pulses with Marian devotion. Antiphons such as Salve Regina and Ave Regina caelorum echo through its churches, offering comfort, hope, and protection. In this programme, Christina and Mary appear as parallel figures: one the queen of heaven, the other a patron-queen who finds her spiritual home in Rome.
The music of Carissimi, Melani, Stradella, Pasquini and Scarlatti unfolds within this world of splendour and searching. Sacred drama, daring harmonies, lyrical intimacy, and radiant counterpoint trace a journey from contemplation to exaltation—revealing how, in Baroque Rome, faith and art intertwined to stir both spirit and imagination.
- Componisten
- Melani · Stradella · Scarlatti · Carissimi · Pasquini
- Bezetting
- SSATB and continuo (organ)
- Duur
- Around 60 min; can be adjusted.
- Stemtoon
- A=440 Hz, quarter-comma meantone
- Vereisten
- Organ required. Continuo can be extended (e.g. with harpsichord)
- Podiumopstelling
- 5 singers plus continuo. Standard concert setup.
- Uitvoeringen
- 5 keer (okt 2025 – apr 2026)
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Melani — Quae est ista
SSATB bc • Concerti Spirituali, Op. 3 (1682)
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Stradella — Ave regina coelorum
SA bc • Composizioni Sacre da Chiesa d’Alessandro Stradella (Modena, Biblioteca Estense Universitaria, mus. f. 1140, cc. 41–48)
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Scarlatti — Toccata fuga in sol maggiore
Org solo
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Melani — Salve regina
SSATB bc • Basilica Santa Maria Maggiore, Rome, I-Rism 94/19. A solo con rip[ie]ni A[lessandro] M[elani] (after 1667)
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Carissimi — O dulcissimum Mariae nomen
TB bc • A. Poggioli, Delectus sacrarum cantionum 2–5vv (Antwerpen, 1652)
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Melani — Alma redemptoris
SSATB bc • Santini collection: D-MÜs Sant. Hs.2658(11) (after 1667)
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Carissimi — Salve amor noster
SA bc • Scelta de’ motetti da cantarsi [...] Parte Prima (1665)
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Pasquini — Variazioni dedicate a Monsignor Kaunitz
Org solo • Ms. Wien XIV 74
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Scarlatti — Magnificat
SSATB bc • Münster, Diözesanbibliothek, Santini-Sammlung, Sant. Hs. 3874. “Magnificat a cinque...”